This
evening I opened a bottle of Joh. Jos. Prüm Wehlener Sonnenuhr Auslese 2009
(7.5% ABV) recently purchased from Howard Ripley, a specialist importer of truly
great wines from the homes of some of my favourite wines: Germany and Burgundy.
As you’d expect from one of the world’s greatest Riesling producers, this was a
hugely enjoyable and particularly well-crafted bottle of wine.
The Wehlener Sonnenuhr vineyard, with its sundial just below the summit |
Now
I can’t lay claim to having much more than a basic knowledge of the vineyards
of the middle Mosel, but I have begun to build up an idea of those whose wines
I prefer. For me, the structure and austerity bequeathed to Riesling by blue-grey
slate just trumps the riper, tropical fruit characteristics offered by Riesling
grown on red slate. Arguably the finest blue slate vineyard of the middle Mosel
is Sonnenuhr (“Sundial”), across the river from the town of Wehlen.
The grey-blue Devonian slate of Wehlener Sonnenuhr |
Named
for its eponymous sundial, this feature also boasts of the vineyard’s southwest
exposure, ideally located to best retain the warmth of both direct and
reflected sunlight. This
precipitous and rocky
vineyard sits on pure blue Devonian slate, outcrops of which poke out between
the vines, and the almost total lack of topsoil forces the vines to sink their
roots between the broken and weathered shards of slate down into crevices in
the bedrock. People can argue all day as to whether or not minerals are picked
up by the roots of a vine and imparted into the finished wine, but the crystalline
minerality of Wehlener Sonnenuhr’s wines cannot be disputed.
Its wines, “whether a modest Kabinett or an opulent Beerenauslese, are the epitome of filigree elegance: light in body but intense in flavour, exquisitely balanced and precisely tuned, and capable of the most extra-ordinary longevity” (Stephen Brooks, The Wines Of Germany). The wines that Manfred and Katharina Prüm coax from Wehlener Sonnenuhr are probably the best illustrations of Stephen Brooks’ poetic prose.
Its wines, “whether a modest Kabinett or an opulent Beerenauslese, are the epitome of filigree elegance: light in body but intense in flavour, exquisitely balanced and precisely tuned, and capable of the most extra-ordinary longevity” (Stephen Brooks, The Wines Of Germany). The wines that Manfred and Katharina Prüm coax from Wehlener Sonnenuhr are probably the best illustrations of Stephen Brooks’ poetic prose.
Their
’09 Auslese was a very pale greenish gold colour, with tiny beads of CO2
which caught the light. Its delicate yet firm nose of lime and slate, plus
aromas of green apple and honey, intertwined with the subtle whiff of kerosene
so typical of a developing Riesling.
Joh. Jos. Prüm, Wehlener Sonnenuhr Auslese 2009 |
The
palate had an initial green apple tartness, highlighted by a prickle of CO2,
which promptly opened to display a rich, sweet kaleidoscope of flavours.
Greener in character – apple, lime and chamomile – than the
yellow/orange tropical fruit and spice of wines from neighbouring vineyards, its
blossom and honey ripeness was tempered by mouth watering, quince-like acidity.
Perfectly complementing the sweetness, a saline minerality to the finish dried
and refreshed the mouth in readiness for the next sip.