Giuseppe Quintarelli |
Never one to latch onto a current trend, at times he struggled to sell his wines. As Burton Anderson observed: “It’s simply that the philosophical Bepi, after travelling and observing the progressive techniques of others, decided that there was nothing to be gained from changing the methods learned from his father and grandfather.”
A label from Giuseppe
Quintarelli's Amarone Della Valpolicella 1997 |
His approach was renowned as being strongly traditionalist, with only a few
concessions to modernity. Although his Amarone spends seven years in Slavonian oak botti, and it was only relatively
recently that labels ceased to be hand written and hand applied to bottles, S.
Quintarelli was relentlessly experimental even as he adhered to the traditional
techniques passed down to him. He was the first in the region to plant
Cabernets Sauvignon and Franc, using them to brilliant effect in his barrique-aged appassimento wine Alzero, as well as blending them with Corvina in his
Primofiore. He began production of a dry white wine, something very unusual in the
Valpolicella region, and he was also the first person in the area to experiment
with Nebbiolo.
Strict grape selection resulting in uncommonly low yields for the Veneto, combined with painstaking attention to detail and the patience to allow his wines to evolve in their own time, means that a bottle bearing the Quintarelli name is never going to be cheap. Prominent Italian wine journalist Franco Ziliani puts it far better than I ever could when he states “the wines of Quintarelli are completely different from the standardised, repetitive and boring wine commodities that you so often find among Amarones today. They are very expensive, rare and not so easy to understand. They are wines that require intelligence, experience, culture, patience and time, all elements so different from the simple, fast appreciation of wine today.”
The last time I visited S. Quintarelli, I was fortunate enough to taste most of his then available wines. His 1995 and 1997 Amarone were nostalgic delights: powerful but fresh, ripe and voluptuous without being at all overblown, yet with the rustic, spiced, earthy character once so typical of the region. The stunning 1995 Recioto was one of the most shockingly complex, harmonious and beautiful wines I think I will ever taste, sweeter and more approachable in its youth than the Amarone and surely the wine that completely defines the phrase vino di meditazione.
“Quintarelli was the guru of Valpolicella,” says Romano Dal Forno, who studied under Quintarelli whilst establishing his own winery. “He was an example, especially in those years where quality was not the main concern of winemakers in general.”
In a world where science and technique so often supplant passion and respect, I can only hope that the uncompromising, obsessive and perfectionistic devotion that drove S. Quintarelli will be continued by his successor and nurtured in the way that its unique results demand.
I send my sincere condolences to all of S. Quintarelli’s family, and to everyone fortunate enough to have had their lives enhanced by the man and his wines.
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